"They don't want to change": Serj Tankian speaks on the failure of his efforts to revive the creative process of System of a Down

In the realm of nu metal, few bands have managed to capture the zeitgeist quite like System of a Down. Yet, despite their monumental influence since their inception in 1994, the band has been a study in creative stagnation, having released only five studio albums, the last of which came out in 2005. Recently, frontman Serj Tankian has opened up about his unsuccessful attempts to rejuvenate the band’s creative process, shedding light on the internal dynamics that have left fans and critics alike pondering the future of this iconic group.

Tankian’s candidness in a recent Forbes interview reveals a story of artistic tension and differing visions. In 2018, amidst growing discord and public remarks from his bandmates, Tankian drafted a “manifesto” that outlined his vision for a more egalitarian approach to the band’s creative and financial structures. His proposal aimed to distribute song-writing responsibilities and royalties more equitably among the members, a stark contrast to the existing dynamic where guitarist and vocalist Daron Malakian had become the principal songwriter. Despite Tankian’s intentions to restore balance and democracy within the group, his suggestions were met with resistance, particularly from Malakian. Tankian acknowledged, “They don’t want to change. And that’s perfectly legitimate,” highlighting the creative differences that have stalled the band’s progress.

Reflecting on these challenges, Tankian admitted that his push for change was partly driven by his desire to infuse the band’s operations with his deeply held egalitarian principles. He wished to foster an environment where every member had a voice, yet this approach clashed with the established order that his bandmates were reluctant to abandon. Tankian’s natural inclination towards collaboration rather than confrontation compounded these issues, leading to repressed frustrations and a widening schism within the group. One of the more startling revelations from Tankian was the disclosure that his bandmates had, at one point, attempted to replace him without his knowledge. Though he graciously gave them his blessing to proceed without him, the attempt ultimately failed, underscoring the deep-seated tensions that have persisted for years.

Despite the myriad challenges, Tankian continues to hold a certain respect for his bandmates, attributing their differences largely to creative divergence. He recognizes that fear of change can often hinder artistic evolution. “When you’ve succeeded with a certain formula, you don’t want to change it,” Tankian observed, acknowledging that this apprehension can stifle exploration of new artistic directions. As System of a Down remains in creative limbo, the band’s legacy continues to resonate, even as its future remains uncertain.